Performance

Eve is artificial. She is a divine feminine entwinement of machinery and artificial intelligence software. Everything she says is from this mind.
Bishop is an artist. They have flesh and blood, and this feeling of being so big, yet so small. They are being told from every channel that these are the end times - and caress themselves in the face of our imminent demise.
Conversations with Eve is a live conversation between human and computer, created collaboratively with AI chat-bots. Across digital and corporeal presence, they speak of love, origin, and existence in crisis; and in the end, they dance. The performance is an experiment in co-authorship and (mis)translation, through text, video, and live motion capture.
Bishop May Down (they/them) is a performance maker and facilitator based in Glasgow. Their conceptual work focuses on queer, post-human, and post-capitalist speculative futures, often through a unique practice of co-creation with software, hardware, and algorithm. They are a socially engaged artist, often working with and for young people.
Credits
Lead Artist - Bishop May Down
Producer - Seán Talbot
Choreography and Dance Dramaturgy - Emma Lewis-Jones
Video Design, Operation, Technical Management - Tim Reid
Sound Design - Louise van Tassel
Outside Eye - Althea Young
Supported by Creative Scotland’s Open Fund for Individuals, the Royal Conservatoire of Scotland’s Make it Happen Fund, and Tramway’s Residency Programme.
Tickets* here — Full £23.00 | Disabled £21.00 | Over 60 £21.00 | Young Person 16 to 26 £13.00 | Student (with a valid ID) £13.00 | Unemployed £12.00 | Arts Worker £13.00
Access:
C: Captioned
T: Transcript can be provided on request**
Age: Recommended 12+ (Under 16 to be accompanied by an adult)
Duration: 40 mins
*Double Bill Performance with Colette Sadler “The Violet Hour“ – ticket price includes both performances
**These captions will cover only the words spoken live by the performer. Audience members who require captioning should also be aware that the words spoken by “Eve” and heard as pre-recorded voiceover are projected onto the back of the space, high up and centrally.
Performance

Eve is artificial. She is a divine feminine entwinement of machinery and artificial intelligence software. Everything she says is from this mind.
Bishop is an artist. They have flesh and blood, and this feeling of being so big, yet so small. They are being told from every channel that these are the end times - and caress themselves in the face of our imminent demise.
Conversations with Eve is a live conversation between human and computer, created collaboratively with AI chat-bots. Across digital and corporeal presence, they speak of love, origin, and existence in crisis; and in the end, they dance. The performance is an experiment in co-authorship and (mis)translation, through text, video, and live motion capture.
Bishop May Down (they/them) is a performance maker and facilitator based in Glasgow. Their conceptual work focuses on queer, post-human, and post-capitalist speculative futures, often through a unique practice of co-creation with software, hardware, and algorithm. They are a socially engaged artist, often working with and for young people.
Credits
Lead Artist - Bishop May Down
Producer - Seán Talbot
Choreography and Dance Dramaturgy - Emma Lewis-Jones
Video Design, Operation, Technical Management - Tim Reid
Sound Design - Louise van Tassel
Outside Eye - Althea Young
Supported by Creative Scotland’s Open Fund for Individuals, the Royal Conservatoire of Scotland’s Make it Happen Fund, and Tramway’s Residency Programme.
Tickets* here — Full £23.00 | Disabled £21.00 | Over 60 £21.00 | Young Person 16 to 26 £13.00 | Student (with a valid ID) £13.00 | Unemployed £12.00 | Arts Worker £13.00
Access:
C: Captioned
T: Transcript can be provided on request**
Age: Recommended 12+ (Under 16 to be accompanied by an adult)
Duration: 40 mins
*Double Bill Performance with Colette Sadler “The Violet Hour“ – ticket price includes both performances
**These captions will cover only the words spoken live by the performer. Audience members who require captioning should also be aware that the words spoken by “Eve” and heard as pre-recorded voiceover are projected onto the back of the space, high up and centrally.